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THE BLOG

Patience in Painting

Painting is like life and life is like painting. Some of the same lessons apply to both. I recently took a workshop from Stan Miller. His painting methods require time and careful observation. Sometimes in life we want immediate results. But to get results in painting, you have to put in the actual time. We have a picture in our mind of what we want our painting to look like before we start and when life or our painting is not turning out the way we pictured, we may want to stop, throw in the towel, rip up our painting and start over again. It is good to finish the painting. There is something to be learned by the actual finishing of the painting. Sometimes just by finishing we can take our painting beyond the throw away point and it becomes better than we expected. It is in the completing of all the imperfect paintings that we learn and become a better painter. We have to put in the time. Patiently. And with joy because creating is joyful.

Excerpt from Eating Crayons (Coming in October)


Finding Beauty Each Day

Hukilau Beach

Some artists have a hard time finding something to paint. I find paintings all around me. There is so much beauty in this world. All you have to do is take the time to see it. You learn something from sitting out in the wind and hearing the ocean waves. You find out about place. You see colors you wouldn’t see from a photo. You smell the moisture in the air. Painting is a great way to capture a place. The above watercolor sketch is from my watercolor sketch book. Its a place to keep all those memories.

So now you’ve found the beauty, its time to be grateful. Grateful for eyes to see. Grateful for so much subtlety of color and grateful for brushes and paint. Grateful for family and friends to share it with. Beauty is all around us no matter where we are. We just need to take the time to pause, and see.

What beauty have you seen today?

Just off the point.

Painting More Than You Can See

11”x14” watercolor on paper

There is the visual part of art, the trying to reproduce what you see out there in the world. It is also good to add the emotional part of the painting. You’re trying to paint two dogs by looking at the shapes, the angles, and where the lines intersect other lines. But you are also trying to capture something more. What else are you trying to say with your painting. What are the personalities of the two dogs? Are you capturing the nature of the dogs by capturing how the tongues lop out of the mouths? If you trace a photo, you get a stiff representation of whats in the photo. You want to bring the dogs to life. You want your painting to look better than the photo, more alive, more color.

Concentrating on shapes can help. Instead of thinking eyeball and drawing what your left brain uses to symbolize eyeball, you look at the shape. Your left brain might say to yourself, “Hey Self you don’t want a hair covering up part of that eyeball. You want to show all of the eyeball.” When having the hair cover part of the eyeball says something about the nature of dogs. “Hey Self, you need to show both eyes and make sure they look the same.” When you really want to show the unique shape of each eye and maybe you want one eye to completely disappear. ”Hey Self, those dogs have a lot of nice fur. They are furry. You need to make sure you draw each individual hair.” When your artist brain is saying, drawing every single fence post and every hair is boring. Draw the shape of the fur and describe the nature of the fur where it meets other shapes along its edges. Can you say something about the nature of the dog with an angle on it’s eyebrow? Can I draw a chain without drawing every single ring the exact same way? Shape upon shape and color upon color and suddenly you look down and you have a painting that excites you.

http://utahwatercolor.org

Paintings, Paintings Everywhere.

Sometimes you sit back and go wow. I’ve got paintings all over the place. There were paintings up at Eccles in Ogden at the Utah Watercolor Society Two Star Signature Show. (Received Honorable Mention) There is a painting at the Cottonwood Presbyterian Church on The Good Samaritan. “Little Brother has made it into the National Watercolor Society’s Member Show in San Pedro, California. “Playing behind Bamboo is on it’s way to the Western Federation of Watercolor Society’s Show in Santa Fe, New Mexico. The original watercolor of The Cheap Boots and Shoes in Nauvoo, Illinois is on it’s way to a new home in Texas. The spring show for the Utah Watercolor Society will be up in Logan. The Dixie Invitational is showing  “The Weaver” (watercolor 3rd place) down in St, George. 

As an artist I love creating paintings. But also as an artist, I love showing my art to others. I love the opportunity to have others see the paintings that I have thought about, designed and splashed paint on to create visually the things that I find interesting in this life. It’s good to create and good to share. 

So my facebook page has been hacked so beware of any requests or links that come from me.

What Do You Want To Say With Your Art?

Backdoor Art by Sharky’s Nemisis

So the picture above was taken from the inside of the back door of my son and daughter-in-law’s house. It says exactly what the creator wanted it to say. You can read the emotion in each word. So what kind of emotion do we want to convey with our art? And tied to that is what do we want to paint? What grabs our attention. What we choose to capture in a painting says a lot about us as artists. Some find great beauty in landscape while others try to capture the never ending beauty in the human face. I find beauty in painting a variety of things. My art is a witness of the beauty I find in each day that I paint.

“The Weaver” won third place in the watercolor division at the Dixie Invitational in St. George. I combined words with the painting. The words went around the edge of the mat. The words added to the art and added to the image. At Awana Wasi in Peru, they continue with their traditional weaving. What drew me to paint this weaver was the challenge to try and capture the strands of multi-colored thread and the weaver leaning over her work. All those threads come together in a beautiful design, just like each brush stroke combines to create the painting.

The Weaver by Sherry Meidell

Because There Was No Room For Him In The Inn

‘There Is A Stable” 9×12” oil on board by Sherry Meidell

In Luke 2:7 it says: “And she brought forth her firstborn son, and wrapped him in swaddling clothes, and laid him in a manger; because there was no room for him in the inn.”

But there was a stable and there was a manger. And Christ came into this world, into the arms of a loving mother Mary and protecting care of Joseph. 

Sometimes in life there seems only one way and when that falls through we think, “Well, that’s it. No other option. No room in the inn.” But life is filled with creativity and options. So when one way doesn’t work we look for another answer to our problem. We seek for other solutions. And we look for the joy and peace that the example from the life of Christ brings into our life. The example of caring for others. Of leading others to finding God in this world of chaos and finding times of goodness in our lives to share with others. 

The multitude of angels said, “Glory to God in the highest, and on earth peace, good will toward men.” 

“For unto you is born this day in the city of David a Savior, which is Christ the Lord.” 

So no matter what your religion, it’s a good time to look upward and inward, share kindness with those around us. Happy holidays, and from me, a merry Christmas.

Sketch by Sherry Meidell of Joseph, Mary and the Babe.

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